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      <description>cxo communication strategic communications for corporate and executive leadership</description>
      <language>en</language>
      <copyright>Copyright 2008</copyright>
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         <title>He&apos;s baaaaaaaaaaaack!</title>
         <description><![CDATA[<p>We are pleased to welcome <a href="http://www.cxocommunication.com/aboutus_bios.html#jeremy">Jeremy Hartman</a> back to the CXO family.  After two years running executive communications at Advanced Micro Devices, Jeremy has returned to CXO.</p>

<p>Welcome Back Jeremy!</p>]]></description>
         <link>http://www.cxocommunication.com/newsflash/2008/05/hes_back/</link>
         <guid>http://www.cxocommunication.com/newsflash/2008/05/hes_back/</guid>
         <category>NewsFlash</category>
         <pubDate>Mon, 19 May 2008 11:00:03 -0800</pubDate>
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         <title>Happy New Year</title>
         <description><![CDATA[<p><a href="http://www.cxocommunication.com/email/newyear2008/"><img src="http://www.cxocommunication.com/email/newyear2008/bradybunch_md.jpg" width="600" height="532" alt="From our bunch to yours&hellip; Happy New Year" class="filledin" /></a></p>]]></description>
         <link>http://www.cxocommunication.com/newsflash/2008/01/happy_new_year/</link>
         <guid>http://www.cxocommunication.com/newsflash/2008/01/happy_new_year/</guid>
         <category>NewsFlash</category>
         <pubDate>Mon, 07 Jan 2008 17:55:00 -0800</pubDate>
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            <item>
         <title><![CDATA[CXO is growing&hellip;]]></title>
         <description><![CDATA[<p><a href="http://www.cxocommunication.com/email/holiday2007/"><img src="http://www.cxocommunication.com/email/holiday2007/images/teaser_sm.jpg" width="200" height="162" alt="CXO is growing&hellip;" class="filledin" /></a></p>]]></description>
         <link>http://www.cxocommunication.com/newsflash/2007/11/cxo_is_growing/</link>
         <guid>http://www.cxocommunication.com/newsflash/2007/11/cxo_is_growing/</guid>
         <category>NewsFlash</category>
         <pubDate>Tue, 27 Nov 2007 08:00:00 -0800</pubDate>
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         <title>Best of Show at MacWorld</title>
         <description><![CDATA[<p><img src="/newsflash/images/chillsound.gif" width="75" height="69" alt="MacWorld Best of Show 2007" class="filledin" /></p>

<p>Congratulations to our client <a href="http://www.chillsound.com/">Chestnut Hill Sound</a> for winning <a href="http://www.macworld.com/weblogs/mwvodcast/2007/01/mwvodcast5/index.php">Best of Show at MacWorld</a>.</p>]]></description>
         <link>http://www.cxocommunication.com/newsflash/2007/01/best_of_show_at_macworld/</link>
         <guid>http://www.cxocommunication.com/newsflash/2007/01/best_of_show_at_macworld/</guid>
         <category>NewsFlash</category>
         <pubDate>Mon, 15 Jan 2007 09:00:00 -0800</pubDate>
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         <title>Start the New Year off right here</title>
         <description><![CDATA[<p><a href="/email/newyear2007/new_year.swf"><img src="/email/newyear2007/new_year.gif" width="674" height="456" alt="Start the New Year off right here" class="filledin nofloat" /></a></p>]]></description>
         <link>http://www.cxocommunication.com/newsflash/2007/01/start_the_new_year/</link>
         <guid>http://www.cxocommunication.com/newsflash/2007/01/start_the_new_year/</guid>
         <category>NewsFlash</category>
         <pubDate>Mon, 08 Jan 2007 11:28:02 -0800</pubDate>
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         <title>Kleenex Says Goodbye to a Stiff Upper Lip, and a Stale Image</title>
         <description><![CDATA[<p>Since the advent of TiVo, I no longer need to suffer through unmemorable and annoying ads just to get my Lost, Grey's Anatomy and Medium fixes.  But, I am loving the new Kleenex commercials.  With the tagline Let it Out (brilliant), a hip   soundtrack and a format that sits real people down in the middle of a huge city on a distinctive blue couch to let out their tears, happiness, dreams and even their "every day yucky stuff" - Kleenex has re-positioned a stale brand as current and emotionally connected to its customers.  They seem to have a few versions of the commercial, one is mostly sad crying people (This is my favorite, especially the tough guy at the end who looks like he can't quite believe he is sobbing with a stranger on a couch in the middle of the city) and one is all about the every day highs of life.  The "happy" version is the one featured on YouTube, so check it out:<br />
 <br />
<object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/E5fZ-dnmExE"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/E5fZ-dnmExE" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br />
 <br />
Also, take a look at the company's accompanying Web site - which is also an example of great brand building:<br />
 <br />
<a href="http://www.kleenex.com/Home.aspx">http://www.kleenex.com/Home.aspx</a><br />
</p>]]></description>
         <link>http://www.cxocommunication.com/blog/2007/01/kleenex_says_goodbye_to_a_stif/</link>
         <guid>http://www.cxocommunication.com/blog/2007/01/kleenex_says_goodbye_to_a_stif/</guid>
         <category>Blog</category>
         <pubDate>Mon, 08 Jan 2007 11:08:14 -0800</pubDate>
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         <title>What do you have in common with Starbucks, Netflix, Google and The Four Seasons</title>
         <description><![CDATA[<p>On a recent visit to a venture capitalist friend of mine I learned that the target for new investments these days is “the application of technology.”   After spending 25 years in Silicon Valley, I assumed he was chasing another software rainbow like ERP or SA or CRM or ILM.  No, he did not mean software.  Nor was he referring to on-line applications.  Not even data services.  He meant good, old-fashioned service companies that make use of these technologies to provide better service to more people. Who’da thunk? </p>

<p>We all know the stories of Fed-Ex, Nordstrom, the Four Seasons, e-Bay, Google and Amazon.  These companies used logistics software, data mining techniques and internet interfaces to create new businesses that in turn served new markets.  These guys took a technology concept, applied it to a service idea and then did the hard work of execution.  Their stories have become legend. </p>

<p>But there are countless small and medium-size service firms taking advantage of technology to build businesses, amass markets and establish brands too.  These and their fortune 500 brethren are the companies of the service economy.  Their ability to back up a service people want to use with innovative technology is their currency.  The pot of gold at the end of the rainbow.</p>

<p>But building a successful service business depends on so much more than simply making use of technology to provide a service.  The experience of receiving the service itself is at the very core of the successful service company.  And, of course, the ability to create the appropriate experience is crucial.  For without this, you have a restaurant with bad food, a theme park with boring rides, an overnight delivery service with late deliveries, a phone company with dropped calls and a law firm that doesn’t win cases.  </p>

<p>Services these days are comprised of two major components.  The first is the technology enabling the service and second is the people who deliver it.  Both of these must be in full working order.  When they are, it is then possible to build a service brand. </p>

<p>A service brand is very different from a product brand and a bit more difficult to build because it is an intangible asset.  The service is actually an experience, which of course includes the experience of finding the service, buying the service, receiving the service and paying for the service.  And making it even more difficult, services don’t have packaging to help reinforce brand messages.  </p>

<p>How do you achieve this?  How do you make every customer touch point a positive one that reinforces the brand ideal?  How do you train hundreds of people to express it? How do you build an environment that itself reflects the brand?  </p>

<p>There are essentially four pillars required to build a successful service brand.  They are:  A well understood brand ideal or what I call getting to aha!  If you don’t know where you’re going, no path will get you there.  This is the “handle” or the positioning of your brand.  The verbal expression of what you want and can become.  Yet it isn’t necessarily a tagline.  For example, McDonald’s has adopted a new brand ideal in recent years.  The company is going for the “healthy fast food” market.  The new tagline is “I’m lovin’ it.”  The handle expresses the brand ideal and the tagline commercializes it.  The process of getting to aha! is one of understanding what you want to be, what your core competency is and what the market for that competency is like.  Then you can begin to mold and shape all three of these elements until you get to aha!  When your brain says “aha!” you’re there.</p>

<p>Secondly, you need to create a culture that reinforces that ideal.  There is nothing more important in building a service brand than building a culture where the employees (and the customers) are empowered to defend the brand.   Service brands belong to the people delivering the service.  If they don’t defend their ground at every intersection, the brand will take the path of least resistance and become something other than what its inventors intended.  A highly functioning service brand culture squeezes out misfits on its own which helps to reinforce the culture building an even stronger brand.</p>

<p>Third, flawless execution is at the core of every successful brand.  A service brand is the expression of the service at every customer touch point. And the key to creating an awesome service brand is the relentless pursuit of consistency in that expression. That means every single time a customer interacts with the service company in any way, the experience must be consistent with the brand ideal, or the intent of the service.  If a theme park is to be “The Happiest Place on Earth,” then each and every time <br />
a customer interacts with any part of that theme park, the “happiest place on Earth” message must be reinforced. That means vendors must smile, bathrooms must be clean, food must be frivolous, characters friendly, rides thrilling, people laughing and fun should be within arm’s length at all times.  Each touch point is an opportunity to communicate the brand ideal to your customer.  Every missed opportunity is a brand failure waiting to happen.   </p>

<p>And finally, brand communication helps you get your brand messages out to your customers when they least expect it.  Certainly advertising and PR play a role here, but great brand communication is a conversation.  Great brand communicators have figured out how to make their brands part of a conversation within a community.  It is interactive.  It’s the process of making evangelists out of your customers. (See previous blog.)</p>

<p>Ultimately, a great service brand is about creating a great experience for your customers.  Again and again and again and again.  Building a service brand isn’t for everyone.  But these days, if you’ve got a small or mid-size service business and you’re looking for the pot of gold at the end of the rainbow, think about building that brand.  There’s no better way to increase your valuation.  Just check out Starbucks, Google, Amazon, Netflix, Fed Ex, eBay, Four Seasons, Nordstrom, Whole Foods, iTunes, Sprint, Southwest Airlines, etc., etc., etc.  And they said it couldn’t be done…</p>]]></description>
         <link>http://www.cxocommunication.com/blog/2006/11/what_do_you_have_in_common/</link>
         <guid>http://www.cxocommunication.com/blog/2006/11/what_do_you_have_in_common/</guid>
         <category>Blog</category>
         <pubDate>Wed, 15 Nov 2006 11:26:19 -0800</pubDate>
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         <title>PR Week Ad</title>
         <description><![CDATA[<p><a href="/newsflash/2006/11/pr_week_ad/"><img src="/newsflash/images/prw_tn.gif" width="100" height="65" alt="Branding, Positioning, and Communication for Small and Mid-Sized Companies" class="filledin" /></a></p>

<p>Check out <a href="/newsflash/2006/11/pr_week_ad/">CXO’s new ad</a> in the November CEO edition of PR Week. In the same issue, Andy Cunningham gives some strategic advice in the article “From figurehead to thought leader” on page 28.</p>]]></description>
         <link>http://www.cxocommunication.com/newsflash/2006/11/pr_week_ad/</link>
         <guid>http://www.cxocommunication.com/newsflash/2006/11/pr_week_ad/</guid>
         <category>NewsFlash</category>
         <pubDate>Wed, 08 Nov 2006 11:25:31 -0800</pubDate>
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         <title>Design on the Move</title>
         <description><![CDATA[<p>Our good friend and excellent designer, Peggy Burke and 1185 Design, is moving just down the block to 941 Emerson St., enabling us to partner even more effectively with her incredibly talented designers on behalf of our branding clients.  Welcome to the neighborhood, Peggy!</p>]]></description>
         <link>http://www.cxocommunication.com/newsflash/2006/09/design_on_the_move/</link>
         <guid>http://www.cxocommunication.com/newsflash/2006/09/design_on_the_move/</guid>
         <category>NewsFlash</category>
         <pubDate>Tue, 12 Sep 2006 10:18:38 -0800</pubDate>
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         <title>Public Relations 101</title>
         <description><![CDATA[<p>In the course of our work here helping small and mid-size companies determine their brand, decide on a competitive position and develop resonating messages, we’ve been invited to help several clients hire agencies to do the implementation.  Sometimes it’s design, sometimes it’s advertising, but most often, it’s public relations.  Why?  Because PR is the only mechanism that creates word of mouth, visibility and credibility all in one fell swoop.  </p>

<p>But what I’ve been seeing from your standard public relations agency lately is good old-fashioned press relations.  I see a concerted effort to create publicity—cute contest ideas, publicity stunts, “news bureaus” and pitch calls.  A lot of smile and dial. </p>

<p>What I do not see is a solid understanding of how this marketing/communication tool can be used to offer a competitive advantage to a company in today’s complicated communications environment.  I don’t  see an in-depth understanding of how the flow of information through trusted channels affects decision making.  The issue here is that it used to be easy to get your arms around a trusted channel because it had a name, an address and an editorial director.  It also had an operating strategy that was well known and incorporated a certain set of rules that both the “buyers” and the “sellers” lived by.  Today’s trusted channels don’t have any of that.  They are social networks that operate almost as living organisms and they overlap, operate in suspended animation and encompass the globe.  There are no rules and no one is “in charge.”   </p>

<p>Once upon a time, getting a “placement” in the New York Times would create a flurry of word of mouth and have a concrete effect on people’s buying decisions.  The PR person’s job was relatively simple.  PR pros built good relationships with reporters by sourcing information to them and often “scored” as a result.  As journalism matured and evolved in the post-Watergate era, PR people learned how to adapt to a more difficult “placement” environment and learned how to influence the press by influencing their sources.  But the press remained the cornerstone in a good public relations program.</p>

<p>Today, though, the PR job has expanded beyond pandering to journalists and influencing their sources.  Today, PR professional have to understand people’s decision-making as a much more complex array of influences.   Some are credible.  Some are not.  And it has become very difficult to tell the difference.</p>

<p>In this world, it’s public relations that must mature and evolve.  PR professionals must become schooled in the complex array of influences on the public and come to understand how the flow of information through myriad channels affects decision making.  They must also understand what factors induce trust in this environment.  The PR job is a whole lot harder today.  </p>

<p>Yet still I see PR agencies talking about pitch letters, news bureaus and publicity stunts to get the press interested in writing about their clients.  Sure, they use the language:  “blogs, pod casts and YouTube,” but they are clueless as to what to do with these developments.  I’ve even heard them refer to these as “tools.”  These are no more “tools” than the New York Times is a “tool” to be exploited at the hands of a publicity expert.  They are channels of communication between and among social networks.  They reveal access to communities.  Nothing more.  In this brave new world, it is up to the public relations profession to help companies reach their constituents.  All of them.  Not just the New York Times.</p>

<p>Looks to me like public relations still needs some redefining.  Hmmmmm….</p>]]></description>
         <link>http://www.cxocommunication.com/blog/2006/09/public_relations_101/</link>
         <guid>http://www.cxocommunication.com/blog/2006/09/public_relations_101/</guid>
         <category>Blog</category>
         <pubDate>Thu, 07 Sep 2006 15:39:08 -0800</pubDate>
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         <title>Looks Like We Made It</title>
         <description><![CDATA[<p>This week marks the birth of what could ostensibly be called my third child.  <a href="http://www.01sj.org/">ZeroOne San Jose</a>: A Global Festival of Art on The Edge burst onto the scene Monday with great fanfare.  This Festival has been in the making for nearly six years.  I founded ZeroOne (originally Ground Zero) in 2000 as my Henry Crown Fellowship community project and immediately hired Beau Takahara to get it off the ground.  We had a fabulous opening at the Tech Museum and then the world fell apart.  The crash crushed Silicon Valley that year and a few short months later, 9/11 happened and made an already bleak situation in the Valley even bleaker.  The press began calling the World Trade Center site "Ground Zero" and it became apparent we had to change our name.  We donated our URL to a non-profit organization doing good work for the victims of 9/11 and decided, rather quickly, on the moniker "ZeroOne."  <br />
 <br />
Despite our successful launch, ZeroOne: The Art and Technology Network, began to suffer from many of the financial woes besieging the rest of Silicon Valley.  Our grand plan for a Center for Art and Technology in San Jose had to be put on hold as we attempted to keep the organization afloat during the dark age.  We set about a programming strategy of holding lectures and salons on the subject of art and technology and to work to support a single artist, Bill Viola, in a new piece he imagined using video game technology.  We received some funding from passionate donors and thanks to the tireless work and self sacrifice of our director Beau, we persevered.<br />
 <br />
All the while, a dream swirled in our heads.  We should do an art and technology festival in San Jose.  Why not?  San Jose is the capital of innovation in technology.  Creativity is central to innovation.  Art is an inspiration for creativity.  There's magic at the intersection of art and technology.  No one else in the United States is doing it. No better place than San Jose.  Let's give it a shot!<br />
 <br />
We then began to talk up the idea to a handful of other organizations in Silicon Valley and settled on a collaboration with the San Jose Seven: the City of San Jose, Cultural Initiatives Silicon Valley, the San Jose Convention and Visitors Bureau, the San Jose Museum of Art, San Jose State University, the Tech Museum of Innovation and ZeroOne: The Art and Technology Network.  Around the same time, the group decided to put in a bid to host the 2006 Inter-Society for the Electronic Arts (ISEA) Symposium.  If we won the bid, we'd use it as an opportunity to sell the community on an art and technology festival.  The San Jose Seven coughed up some money and we hired Steve Dietz to write the proposal to host ISEA in San Jose and to help with the development of a Festival concept.  We must have been very prescient, because not only did Steve's proposal win the bid to host ISEA here in San Jose, but Steve's leadership convinced the San Jose Seven to cough up even more money and hire him to make the Festival idea a reality.  <br />
 <br />
At this point, the group was real and it no longer made sense to be a team of seven separate organizations trying to put on a Festival.  The solution?  ZeroOne:  The Art and Technology Network went through an evolution.  We changed our board to accommodate a senior person from each of the San Jose Seven organizations, hired Steve Dietz to run it and began the long commitment to raise $2 million for a festival of art and technology.  <br />
 <br />
Here we are, now, in the midst of the Festival.  The money has been raised.  The programming is underway .  The artists are here.  The performances are on schedule.  It looks to be a great success for all of us involved from the beginning and certainly for the <a href="http://www.sanjoseca.gov/">City of San Jose </a>which is on a journey to becoming a cultural capital in the United States.  I feel like a very proud parent.<br />
 <br />
There are many, many people to thank for this unbelievable effort.  Here are a few:  Beau Takahara for her persistence, Steve Dietz for his leadership, Michela Pilo for being there, Wanda Webb for her wheeling and dealing, Kim Cook for the marketing and PR, Joel Slayton for his vision, creativity and brains, Kim Walesh for her ability to juggle a million things and remain sane, Dan Keegan for his spokesmanship, Peter Giles for coming up with "A Global Festival of Art on the Edge," John Kreidler for working the foundations, Greg Brown for his experience, Tim Brown for IDEO, Katrinna Ella for watching the numbers, Glenn Edens for his financial wisdom, Dan Fenton for seeing the big picture, Joi Ito for providing international advice, Michael Naimark for his artistic genius, Jeremy Hartman for his positioning work, Kathleen Bowden and Joan Stone for holding the bag, Deborah Rappaport for seeing the vision, Len Shustek and Donna Dubinsky for their commitment to art and technology, Rand Siegfried for putting up with me, Kevin Texeira for his insight and relationship with Bill Viola, Andy Steen for her oversight of me, Steven Brewster for going the extra 10 miles, Gordon Knox for the Montalvo relationship, Stephanie Paulson for her patience, Stacey Fischer for her artistic vision, Keith Berwick for the Henry Crown Fellowship Program at the Aspen Institute, Chuck Allison for mentoring me, CXO Communication for its creative support, Amy Critchett for the early days, Jane Metcalfe for her enduring support, Ron Ricci and Randy Pond for their service to the city, Michelle Mann and Miguel Salinas for being the first to believe, Geoff Kerr for his pigeon persistence, Michelle Wilcox, Norio Sugano, Ed Frank and Joel Birnbaum for hosting us at their beautiful homes, Dan'l Lewin and John Volkmann for hosting lectures, and all of our wonderful sponsors including Adobe Systems, Cisco Systems, Barco, Comerica Bank, IDEO, Knight-Ridder, Hotel Montgomery, Paragon Restaurant, The William and Flora Hewlett Foundation, the David and Lucile Packard Foundation, Hewlett-Packard, Arts Council England, NEC Corporation of America, Divco West Properties, Sun Microsystems Inc., National Endowment for the Arts, Camera Cinemas, James Irvine Foundation, Council for Cultural Affairs--Taiwan, Flora Family Foundation, On-Net Surveillance Systems, American Airlines, Applied Materials, IBM, Mondriaan Foundation, Amsterdam, Morgan Family Foundation, eBay Foundation, 1stAct Silicon Valley, Brothaman/Stablished, goCar, Smart Design, Steelcase, Yamaha, Swiss Arts Council, Asian Cultural Council, Community Foundation Silicon Valley, Emfit, Horn Murdock Cole, Intel, the Knight Foundation, SAP, Habitat New Media Lab, Cycling '74, Plum Voice Portals, Joe Miller's Company, British Council USA, Arts Council Silicon Valley, FileMaker, Inc., Magellan, Unwired Appeal, VMI Broadcast and Professional Video, Goethe-Institut San Francisco, San Jose Blue, Intellisys Technology, French Embassy, Axis Communications, The Canada Council for the Arts, Lockheed Martin, Steelcase Foundation, Catered Too!, LiteScape Technologies, Inc., Pietra Santa Winery, The Art Ark/The Core Companies, Foreign Affairs and International Trade Canada, Gordon Biersch Brewing Company, CompUSA, E & O Trading Company and The Pita Pit.  <br />
 <br />
We finally made it!<br />
 </p>]]></description>
         <link>http://www.cxocommunication.com/blog/2006/08/looks_like_we_made_it/</link>
         <guid>http://www.cxocommunication.com/blog/2006/08/looks_like_we_made_it/</guid>
         <category>Blog</category>
         <pubDate>Wed, 09 Aug 2006 16:00:01 -0800</pubDate>
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         <title>ZeroOne San Jose: A Global Festival of Art on the Edge - August 7–13, 2006</title>
         <description><![CDATA[<p><strong>The CXO Staff invites you to ZeroOne San Jose: A Global Festival of Art on the Edge - August 7-13, 2006</strong></p>

<p><a href="http://www.01sj.org/"><img src="/newsflash/images/zeroone.gif" width="125" height="87" alt="Seven Days of Art and Interactivity" /></a></p>

<p>Our very own CEO, Andy Cunningham, is the Founder of the non-profit organization, ZeroOne, and is the Board Chairman of the upcoming festival in downtown San Jose.</p>]]></description>
         <link>http://www.cxocommunication.com/newsflash/2006/07/the_cxo_staff_hopes_to_see_you/</link>
         <guid>http://www.cxocommunication.com/newsflash/2006/07/the_cxo_staff_hopes_to_see_you/</guid>
         <category>NewsFlash</category>
         <pubDate>Tue, 11 Jul 2006 13:09:47 -0800</pubDate>
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         <title>Can this Value Proposition Be Saved?</title>
         <description><![CDATA[<p><a href="http://www.blog.barnish.com/">Jeremy Barnish</a>, who heads up messaging and positioning at Sun Microsystems, passed me a great article on value propositions from the Harvard Business Review the other day.  The article is called “<a href="http://harvardbusinessonline.hbsp.harvard.edu/b01/en/common/item_detail.jhtml?id=R0603F ">Customer Value Propositions in Business Markets</a>.”  For anyone who has struggled with the question, “What exactly is a value proposition?” or felt like sobbing when presented with a laundry list of buzzwords jammed into a paragraph that someone else has proudly declared a value proposition, this is an article worth reading.  The authors point out the differences between three distinct kinds of value propositions:  1) All about benefits, 2) Favorable points of difference and 3) Resonating focus.  Resonating focus is clearly the winning approach, and no surprise – the hardest to create and most rare to actually see in action.</p>]]></description>
         <link>http://www.cxocommunication.com/blog/2006/06/post_2/</link>
         <guid>http://www.cxocommunication.com/blog/2006/06/post_2/</guid>
         <category>Blog</category>
         <pubDate>Wed, 07 Jun 2006 11:35:25 -0800</pubDate>
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         <title>Summertime</title>
         <description><![CDATA[<p><strong><a href="/email/summer2006/">CXO Summertime Update</a></strong></p>

<p><img src="/email/summer2006/home_summertime.gif" width="64" height="38" alt="beach ball" class="filledin" /> </p>

<p>After kicking off 2006 with exciting brand initiatives for clients including Gemini Mobile Technology, MarketTools and PRTM, CXO Communication is gearing up for a dynamic summer season.</p>]]></description>
         <link>http://www.cxocommunication.com/newsflash/2006/06/summertime_update/</link>
         <guid>http://www.cxocommunication.com/newsflash/2006/06/summertime_update/</guid>
         <category>NewsFlash</category>
         <pubDate>Mon, 05 Jun 2006 16:36:24 -0800</pubDate>
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         <title>The Oscars, but with Wings</title>
         <description><![CDATA[<p>On May 15, it was great to be in the audience as Vern Raburn, president CEO of <a href="http://www.eclipseaviation.com">Eclipse Aviation</a>, received the Robert J. Collier Trophy from the <a href="http://www.naa.aero/html/awards/index.cfm?cmsid=62">National Aeronautic Association</a> at a festive black tie affair in Washington, DC.</p>

<p><img src="/blog/images/collierpresent.jpg" width="250" height="189" alt="Robert J. Collier Trophy" /></p>

<p><img src="/blog/images/colliervern.jpg" width="250" height="329" alt="Vern Raburn with the Robert J. Collier Trophy" /></p>

<p>The Collier Trophy is aviation&rsquo;s most prestigious award, and is often referred to as the &ldquo;Oscar&rdquo; or the "Super Bowl" of aviation.  Past recipients have included Orville Wright, Glenn Curtiss, Kelly Johnson, Scott Crossfield, Chuck Yeager, Neil Armstrong, John Glenn and Burt Rutan.  Basically a who's who of aviation and space heroes.  <br />
 <br />
From the moment we joined forces with Eclipse to nominate the company for this award in December of 2005, the journey was fast, furious and in the end -- incredibly exhilarating.  Eclipse is a true innovator, and the Eclipse 500 jet is the ultimate disruptive technology.  Being their partner for the past six years has been inspiring, and seeing them recognized and celebrated by the aviation, business and government elite was very cool.  <br />
 <br />
Oh, and I got to wear a nice dress and get up on stage with dashing men in tuxes (thanks Vern and Andrew!) and stand next to a big gold trophy, which unfortunately is the closest I'll ever get to accepting an Oscar.</p>

<p><img src="/blog/images/kbonstage.jpg" width="250" height="276" alt="Kathleen Bowden on stage" /></p>

<p><img src="/blog/images/kbcelebrates.jpg" width="250" height="276" alt="Kathleen Bowden celebrates" /><br />
</p>]]></description>
         <link>http://www.cxocommunication.com/blog/2006/05/oscars_with_wings/</link>
         <guid>http://www.cxocommunication.com/blog/2006/05/oscars_with_wings/</guid>
         <category>Blog</category>
         <pubDate>Thu, 25 May 2006 14:45:37 -0800</pubDate>
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